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   Like many art quilters, my path began with the exploration of traditional quilting. I was self-taught and progressed through different styles and techniques for about 20 years. Fifteen years ago I began to explore the world of art quilting. It has also allowed me to focus on subjects that truly matter to me, which are animals and the natural world. My style and techniques have changed in those fifteen years but my love for the subject has remained. 

   I have a hard time thinking of myself as an “artist”. Rather, I identify with the philosophy of the great National Geographic photographer Joel Sartore, his most famous work is the “Photo Ark". Sartore notes that the animals are the art and he is merely documenting them. I identify with that approach when I am working on a project. Both my mother and my son are photographers, so naturally I gravitated towards photo realism. It has led me to focus almost exclusively on the native fauna and flora of California. Most of my quilts start with a photograph of wildlife taken by my son, so there is not only the subject that interests me but often the memories of a family hike or outing. I have dabbled in landscape and other subjects, but keep coming back to animals. I love bringing an animal’s face to life, it just brings me joy. 

   There are so many wonderful styles and techniques in the world of art quilting. For quite a while I felt compelled to learn as many as possible and continuously expand my repertoire. Now, I feel content with my approach and what I do. As I look to the future, I strive to refine my craft and create works that are meaningful and speak to conservation and animal welfare. 

   When I’m not quilting, I am a volunteer at our local wildlife rescue. Napa Wildlife Rescue is an invaluable organization that has saved and rehabilitated thousands of animals through their tireless efforts.

Empty spools workshop 2026

Feathered Friends

 

In this workshop we’ll create realistic birds using raw edge appliqué and detailed threadwork.  We’ll also explore and stitch the different components of their environment.  Since these details are made independently of each other you have the option of reproducing one of the designs or choosing different components to arrange in an original composition. You may like to make an owl sitting on a split rail fence, or nesting in the hollow of a tree or a songbird perched on a mossy  branch. We’ll cover stitching the intricate features of the bird and the elements of their environment such as weathered wood, bark, moss and other flora that will enhance its surroundings. ​

Workshop choices are below and are separated by smaller projects that could be completed within the workshop timeframe. More in-depth projects will require additional time at home to complete, but each component will be started in class. You may also mix and match different elements. 

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Barn Owl-work in progress

The owl, flowers and split rail fence have all been completed and are ready to be composed on a background.

Workshop choices

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